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portada Pietro d'Abano, Expositio problematum (XIX). Édition, introduction et notes critiques et explicatives (in French)
Type
Physical Book
Illustrated by
Language
French
Pages
172
Format
Paperback
Dimensions
23.4 x 15.6 x 1.1 cm
Weight
0.29 kg.
ISBN13
9789462702776

Pietro d'Abano, Expositio problematum (XIX). Édition, introduction et notes critiques et explicatives (in French)

Pietro D'Abano (Author) · Christian Meyer (Illustrated by) · Leuven University Press · Paperback

Pietro d'Abano, Expositio problematum (XIX). Édition, introduction et notes critiques et explicatives (in French) - D'Abano, Pietro ; Meyer, Christian

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Synopsis "Pietro d'Abano, Expositio problematum (XIX). Édition, introduction et notes critiques et explicatives (in French)"

Pietro d'Abano (c. 1257-1315) est l'un des principaux commentateurs des Problemata aristotéliciens (c. 250 avant J.-Chr.) dont la section XIX traite de divers aspects du son et de la musique vocale et instrumentale. Rédigé autour de 1300 et largement diffusé aux XIVe et XVe siècles, le commentaire des 50 problèmes de cette section développe un discours novateur sur la perception du chant et de la musique instrumentale et leurs effets. Partagé entre raison et sensibilité, il est dominé par une approche physique et psycho-physiologique du phénomène sonore et de sa perception qui rompt avec le discours philosophico-mathématique hérité de Boèce. Le texte de base de la présente édition est celui de l'édition de Venise (1519). Il a été révisé à la lumière d'un ensemble de sources manuscrites, dont les plus anciennes.Pietro d'Abano (c. 1257-1315) is one of the principal commentators on the Aristotelian Problemata (c. 250 BC), of which section XIX deals with various aspects of sound, and vocal and instrumental music. Written around 1300 and widely distributed in the 14th and 15th centuries, the commentary on the 50 problems in this section develops an innovative discourse on the perception of singing and instrumental music and their effects. Divided between reason and sensitivity, the commentary is dominated by a physical and psycho-physiological approach to the phenomenon of sound and its perception, which breaks with the philosophical-mathematical discourse inherited from Boethius. The basic text of the present edition is the Venice edition (1519). It has been revised in the light of a collection of manuscript sources, including the oldest.

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All books in our catalog are Original.
The book is written in French.
The binding of this edition is Paperback.

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