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portada Redrawing Anthropology: Materials, Movements, Lines (in English)
Type
Physical Book
Publisher
Language
English
Pages
216
Format
Hardcover
ISBN
1409417743
ISBN13
9781409417743

Redrawing Anthropology: Materials, Movements, Lines (in English)

Ingold, Tim (Author) · Routledge · Hardcover

Redrawing Anthropology: Materials, Movements, Lines (in English) - Ingold, Tim

Physical Book

$ 191.34

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  • Condition: New
Origin: United Kingdom (Import costs included in the price)
It will be shipped from our warehouse between Friday, June 28 and Wednesday, July 10.
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Synopsis "Redrawing Anthropology: Materials, Movements, Lines (in English)"

Why should anthropologists draw? The answer proposed in this groundbreaking volume is that drawing uniquely brings together ways of making, observing and describing. In twelve chapters, a team of authors from the UK, Europe, North America and Australia explore the potential of a graphic anthropology to change the way we think about creativity and perception, to grasp the dynamics of improvisatory practice, and to refocus the study of material culture from ready-made objects onto the flows of materials involved in the generation of things. Drawing on expertise in fields ranging from craftwork, martial arts, and dance to observational cinema and experimental film, they ask what it means to follow materials, to learn movements and to draw lines. Along the way, they contribute to key debates on what happens in making, the relation between design and performance, how people acquire bodily skills, the place of movement in human self-awareness, the relation between walking and imagination, and the perception of time. This book will appeal not just to social, cultural and visual anthropologists but to archaeologists and students of material culture, as well as to scholars across the arts, humanities and social sciences with interests in perception, creativity and material culture.

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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.

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