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portada Rethinking Juan Rulfo's Creative World: Prose, Photography, Film (in English)
Type
Physical Book
Publisher
Language
English
Pages
214
Format
Hardcover
Dimensions
24.6 x 17.0 x 1.5 cm
Weight
0.59 kg.
ISBN13
9781909662599

Rethinking Juan Rulfo's Creative World: Prose, Photography, Film (in English)

Finnegan, Nuala ; Brennan, Dylan (Author) · Routledge · Hardcover

Rethinking Juan Rulfo's Creative World: Prose, Photography, Film (in English) - Finnegan, Nuala ; Brennan, Dylan

Physical Book

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  • Condition: New
Origin: United Kingdom (Import costs included in the price)
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Synopsis "Rethinking Juan Rulfo's Creative World: Prose, Photography, Film (in English)"

Though primarily known for his haunting, enigmatic novel Pedro Páramo and the unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection, El Llano en llamas, Juan Rulfo also worked as scriptwriter on various collaborative film projects and his powerful interventions in the area of documentary photography ensure that he continues to inspire interest worldwide. Bringing together some of the most significant names in Rulfian scholarship, this anthology engages with the complexity and diversity of Rulfo's cultural production. The essays in the collection bring the Rulfian texts into dialogues with other cultural traditions and techniques including the Japanese Noh or "mask" plays and modernist experimentation in the Irish language. They also deploy diverse theoretical frameworks that range from Roland Barthes' work on studium and punctum in photography to Henri Lefebvre's ideas on space and spatiality and the postmodern insights of Jean Baudrillard on the nature of the simulacrum and the hyperreal. In this way, innovative approaches are brought to bear on the Rulfian texts as a way of illuminating the rich tensions and anxieties they evoke about Mexico, about history, about art and about the human condition.

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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.

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