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portada The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-De-Siècle Europe (Studies in German-Jewish Cultural History and Literature, Franz. Center, Hebrew University of Jerusalem) (in English)
Type
Physical Book
Year
2020
Language
English
Pages
256
Format
Paperback
ISBN13
9780226754574

The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-De-Siècle Europe (Studies in German-Jewish Cultural History and Literature, Franz. Center, Hebrew University of Jerusalem) (in English)

Paul Reitter (Author) · University Of Chicago Press · Paperback

The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-De-Siècle Europe (Studies in German-Jewish Cultural History and Literature, Franz. Center, Hebrew University of Jerusalem) (in English) - Paul Reitter

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Synopsis "The Anti-Journalist: Karl Kraus and Jewish Self-Fashioning in Fin-De-Siècle Europe (Studies in German-Jewish Cultural History and Literature, Franz. Center, Hebrew University of Jerusalem) (in English)"

In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus’s spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. The Anti-Journalist overturns this view with unprecedented force and sophistication, showing how Kraus’s criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus’s modernist journalistic style.Paul Reitter’s study of Kraus’s writings situates them in the context of fin-de-siècle German-Jewish intellectual society. He argues that rather than stemming from anti-Semitism, Kraus’s attacks constituted an innovative critique of mainstream German-Jewish strategies for assimilation. Marshalling three of the most daring German-Jewish authors—Kafka, Scholem, and Benjamin—Reitter explains their admiration for Kraus’s project and demonstrates his influence on their own notions of cultural authenticity. The Anti-Journalist is at once a new interpretation of a fascinating modernist oeuvre and a heady exploration of an important stage in the history of German-Jewish thinking about identity.

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