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timon of athens (in English)
Shakespeare, William
Synopsis "timon of athens (in English)"
Timon of Athens has struck many readers as rough and unpolished, perhaps even unfinished, though to others it has appeared as Shakespeare's most profound tragic allegory. Described by Coleridge as the stillborn twin of King Lear', the play has nevertheless proved brilliantly effective in performance over the past thirty or forty years.This edition accepts and contributes to the growing scholarly consensus that the play is not Shakespeare's solo work, but is the result of his collaboration with Thomas Middleton, who wrote about a third of it. The editors offer an account of the process of collaboration and discuss the different ways that each author contributes to the play's relentless look at the corruption and greed of society. They provide, as well, detailed annotation of the text and explore the wide range of critical and theatrical interpretations that the play has engendered. Tracing both its satirical and tragic strains, their introduction presents a perspective on the play's meanings that combines careful elucidation of historical context with analysis of its relevance to modern-day society. An extensive and well-illustrated account of the play's production history generates a rich sense of how the play can speak to different historical moments in specific and rewarding ways.
William Shakespeare (Stratford-upon-Avon, c. 23 de abril de 1564jul. - Ibídem, 23 de abril/3 de mayo de 1616) fue un dramaturgo, poeta y actor inglés. Conocido en ocasiones como el Bardo de Avon (o simplemente el Bardo), se le considera el escritor más importante en lengua inglesa y uno de los más célebres de la literatura universal.
Según la Encyclopædia Britannica, «Shakespeare es generalmente reconocido como el más grande de los escritores de todos los tiempos, figura única en la historia de la literatura. La fama de otros poetas, tales como Homero y Dante Alighieri, o de novelistas tales como León Tolstoy o Charles Dickens, ha trascendido las barreras nacionales, pero ninguno de ellos ha llegado a alcanzar la reputación de Shakespeare, cuyas obras hoy se leen y representan con mayor frecuencia y en más países que nunca. La profecía de uno de sus grandes contemporáneos, Ben Jonson, se ha cumplido por tanto: "Shakespeare no pertenece a una sola época sino a la eternidad"».