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portada African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record―Declarations, Resolutions, Manifestos, Speeches (Studies in the Cinema of the Black Diaspora) (in English)
Type
Physical Book
Publisher
Author
Language
English
Pages
692
Format
Paperback
ISBN13
9780253066299

African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record―Declarations, Resolutions, Manifestos, Speeches (Studies in the Cinema of the Black Diaspora) (in English)

Martin, Michael T. (Edt); Kabore, Gaston J. M. (Edt); Brown, Allison J. (Edt); Nelson, Cole (Edt); Roskos, Joseph E. (Edt) (Author) · Indiana University Press · Paperback

African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record―Declarations, Resolutions, Manifestos, Speeches (Studies in the Cinema of the Black Diaspora) (in English) - Martin, Michael T. (Edt); Kabore, Gaston J. M. (Edt); Brown, Allison J. (Edt); Nelson, Cole (Edt); Roskos, Joseph E. (Edt)

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Synopsis "African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record―Declarations, Resolutions, Manifestos, Speeches (Studies in the Cinema of the Black Diaspora) (in English)"

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions--aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

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The binding of this edition is Paperback.

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