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portada Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film (in English)
Type
Physical Book
Language
Inglés
Pages
338
Format
Hardcover
Dimensions
22.9 x 15.2 x 2.2 cm
Weight
0.66 kg.
ISBN13
9781666915914

Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film (in English)

Mark William Padilla (Author) · Lexington Books · Hardcover

Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film (in English) - Padilla, Mark William

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Synopsis "Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film (in English)"

Alfred Hitchcock's Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock's Film, Mark William Padilla analyzes antecedents including: (1) the film's source novel, D'entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach's Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock's project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.

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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.

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