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portada Managing Emotion in Byzantium: Passions, Affects and Imaginings (Studies in Byzantine Cultural History) (in English)
Type
Physical Book
Illustrated by
Publisher
Language
English
Pages
504
Format
Hardcover
Dimensions
23.4 x 15.6 x 2.5 cm
Weight
0.83 kg.
ISBN13
9781138561618
Edition No.
1

Managing Emotion in Byzantium: Passions, Affects and Imaginings (Studies in Byzantine Cultural History) (in English)

Margaret Mullett (Illustrated by) · Routledge · Hardcover

Managing Emotion in Byzantium: Passions, Affects and Imaginings (Studies in Byzantine Cultural History) (in English) - Mullett, Margaret ; Harvey, Susan Ashbrook

Physical Book

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Synopsis "Managing Emotion in Byzantium: Passions, Affects and Imaginings (Studies in Byzantine Cultural History) (in English)"

Byzantinists entered the study of emotion with Henry Maguire's ground-breaking article on sorrow, published in 1977. Since then, classicists and western medievalists have developed new ways of understanding how emotional communities work and where the ancients' concepts of emotion differ from our own, and Byzantinists have begun to consider emotions other than sorrow. It is time to look at what is distinctive about Byzantine emotion.   This volume is the first to look at the constellation of Byzantine emotions. Originating at an international colloquium at Dumbarton Oaks, these papers address issues such as power, gender, rhetoric, or asceticism in Byzantine society through the lens of a single emotion or cluster of emotions. Contributors focus not only on the construction of emotions with respect to perception and cognition but also explore how emotions were communicated and exchanged across broad (multi)linguistic, political and social boundaries. Priorities are twofold: to arrive at an understanding of what the Byzantines thought of as emotions and to comprehend how theory shaped their appraisal of reality.   Managing Emotion in Byzantium will appeal to researchers and students alike interested in Byzantine perceptions of emotion, Byzantine Culture, and medieval perceptions of emotion.

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The book is written in English.
The binding of this edition is Hardcover.

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