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Mcsweeney's Issue 71 (Mcsweeney's Quarterly Concern): The Monstrous and the Terrible (in English)
Dave Eggers
(Illustrated by)
·
McSweeney's
· Hardcover
Mcsweeney's Issue 71 (Mcsweeney's Quarterly Concern): The Monstrous and the Terrible (in English) - Boyle, Claire ; Eggers, Dave ; Evenson, Brian
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Synopsis "Mcsweeney's Issue 71 (Mcsweeney's Quarterly Concern): The Monstrous and the Terrible (in English)"
Our first-ever issue-length foray into horror, and featuring one of our biggest lineups in some time, our seventy-first issue is one for the ages. Guest edited by Brian Evenson, McSweeney's 71: The Monstrous and the Terrible is a hair-raising collection of fiction that will challenge the notion of what horror has been, and suggest what twenty-first-century horror is and can be. And it's all packaged in a mind-bending, nesting-doll-like series of interlocking slipcases that must be seen to be believed. There's Stephen Graham Jones's eerie take on the alien abduction story, Mariana Enríquez's haunting tale of childhood hijinks gone awry, and Jeffrey Ford on a writer who loses control of his characters. Nick Antosca (cocreator of the award-winning TV series The Act) spins out a novelette about the hidden horrors of wine country. There's Kristine Ong Muslim exploring environmental horror in the Philippines; a sharp-edged folk tale by Gabino Iglesias, and Diné writer Natanya Ann Pulley reimagining sci-fi horror from an indigenous perspective. Hungarian writer Attila Veres proffers a dark take on the not-so-hidden sociopathy of multi-level marketing. And Erika T. Wurth explores the dark gaps leading to other worlds. If that weren't enough: an excerpt from a new novel by Brandon Hobson; a chilling allegorical horror story by Senaa Ahmad; a Lovecraftian bildungsroman by Lincoln Michel; unsettling dream cities from Nick Mamatas; M. T. Anderson's exceptionally weird take on babysitting; and, improbably, much more.
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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.
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