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the night land (in English)
William Hope Hodgson
Synopsis "the night land (in English)"
The sun has died, as have the stars. Not a solitary light shines in the heavens. The days of light are nothing by a legend -- they are a story told to soothe children. The last millions of humans still live in their Last Redoubt -- but the end of their days is at hand.First published in 1912, as a work of fantasy it belongs to the Dying Earth subgenre.The importance of The Night Land was recognized by its later revival in paperback by Ballantine Books, which republished the work in two parts as the 49th and 50th volumes of its celebrated Ballantine Adult Fantasy series in July 1972.Of The Night Land Clark Ashton Smith wrote "In all literature, there are few works so sheerly remarkable, so purely creative, as The Night Land. Whatever faults this book may possess, however inordinate its length may seem, it impresses the reader as being the ultimate saga of a perishing cosmos, the last epic of a world beleaguered by eternal night and by the unvisageable spawn of darkness. Only a great poet could have conceived and written this story; and it is perhaps not illegitimate to wonder how much of actual prophecy may have been mingled with the poesy." Lovecraft and Smith weren't wrong: this is, perhaps, the greatest single work of fantastic fiction in the English language.(Jacketless Library Hardcover.)
Nació en 1875, hijo de un clérigo de Essex, y desde muy temprano se hizo a la mar como tripulante de barcos mercantes. No obstante, Hodgson aborrecía aquella vida, y en cuanto tuvo ocasión la abandonó para dedicarse a otras labores y a escribir relatos llenos de misterio, terror y aventura, ambientados muchos de ellos en el mar, un mar peligroso y lleno de entidades monstruosas y barcos abandonados. A pesar de que durante años la obra de Hodgson permaneció en el olvido a causa de su temprana muerte en Francia, durante la Primera Guerra Mundial, truncándose así su carrera literaria, autores como H.P. Lovecraft, que hablaba con entusiasmo de su novela sobrenatural La casa en el confín de la tierra (en esta misma colección), o Clark Ashton Smith lo reivindicaron como maestro (junto a Ambrose Bierce y otros) de la naciente escuela norteamericana del Horror Sobrenatural.
