Share
Transnational Frontiers: The American West in France (in English)
Emily C. Burns (Author)
·
University Of Oklahoma Press
· Hardcover
Transnational Frontiers: The American West in France (in English) - Emily C. Burns
$ 51.43
$ 64.29
You save: $ 12.86
Choose the list to add your product or create one New List
✓ Product added successfully to the Wishlist.
Go to My WishlistsIt will be shipped from our warehouse between
Monday, June 17 and
Tuesday, June 18.
You will receive it anywhere in United States between 1 and 3 business days after shipment.
Synopsis "Transnational Frontiers: The American West in France (in English)"
When Buffalo Bill’s Wild West show traveled to Paris in 1889, the New York Times reported that the exhibition would be “managed to suit French ideas.” But where had those “French ideas” of the American West come from? And how had they, in turn, shaped the notions of “cowboys and Indians” that captivated the French imagination during the Gilded Age? In Transnational Frontiers, Emily C. Burns maps the complex fin-de-siècle cultural exchanges that revealed, defined, and altered images of the American West. This lavishly illustrated visual history shows how American artists, writers, and tourists traveling to France exported the dominant frontier narrative that presupposed manifest destiny—and how Native American performers with Buffalo Bill’s Wild West and other traveling groups challenged that view. Many French artists and illustrators plied this imagery as well. At the 1900 World’s Fair in Paris, sculptures of American cowboys conjured a dynamic and adventurous West, while portraits of American Indians on vases evoked an indigenous people frozen in primitivity. At the same time, representations of Lakota performers, as well as the performers themselves, deftly negotiated the politics of American Indian assimilation and sought alternative spaces abroad. For French artists and enthusiasts, the West served as a fulcrum for the construction of an American cultural identity, offering a chance to debate ideas of primitivism and masculinity that bolstered their own colonialist discourses. By examining this process, Burns reveals the interconnections between American western art and Franco-American artistic exchange between 1865 and 1915.
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.
✓ Producto agregado correctamente al carro, Ir a Pagar.
