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Twelfth Night of the Living Dead: Or What You Kill, The Steward's Revenge (in English)
Schaar, A. J. ; Shakespeare, William
Synopsis "Twelfth Night of the Living Dead: Or What You Kill, The Steward's Revenge (in English)"
Viola didn't survive the shipwreck. This is what happens to Shakespeare's original text of TWELFTH NIGHT when its heroine, its 'beating heart, ' is marauding through it as a ZOMBIE. WARNING: Let all who read this know that Shakespeare's Twelfth Night is a masterful comedy from the greatest English playwright of all time, perhaps Shakespeare's finest comedy, which Twelfth Night of the Living Dead does not intend to modernize or (belches) improve. However, When it strikes you that the original text can and does survive as one-by-one its characters are turning into zombies... And when it becomes clear that the sheer self-involvement of some characters transcends all need for earthly dialogue... And when one of the characters has been famously threatening revenge for more than 400 years... ...it seems like a worthwhile endeavor to massacre (not just cut) Shakespeare's text in order to see the silly creature-feature 'show within the show.' "If music be the FOOD of LOVE," Slay On.
William Shakespeare (Stratford-upon-Avon, c. 23 de abril de 1564jul. - Ibídem, 23 de abril/3 de mayo de 1616) fue un dramaturgo, poeta y actor inglés. Conocido en ocasiones como el Bardo de Avon (o simplemente el Bardo), se le considera el escritor más importante en lengua inglesa y uno de los más célebres de la literatura universal.
Según la Encyclopædia Britannica, «Shakespeare es generalmente reconocido como el más grande de los escritores de todos los tiempos, figura única en la historia de la literatura. La fama de otros poetas, tales como Homero y Dante Alighieri, o de novelistas tales como León Tolstoy o Charles Dickens, ha trascendido las barreras nacionales, pero ninguno de ellos ha llegado a alcanzar la reputación de Shakespeare, cuyas obras hoy se leen y representan con mayor frecuencia y en más países que nunca. La profecía de uno de sus grandes contemporáneos, Ben Jonson, se ha cumplido por tanto: "Shakespeare no pertenece a una sola época sino a la eternidad"».